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BEGIN:VCALENDAR PRODID:-//TERMINALFOUR//SITEMANAGER V7.3//EN VERSION:2.0 BEGIN:VEVENT DTSTART:20180510T121500 LOCATION:Braamfontein Campus East eMakhaya Theatre, 19th Floor, University Corner DESCRIPTION:The psychological impact of the Life Esidimeni human rights violation and the role of expressive arts therapies.Drama for Life presents the Arts in Conversation Series.
A conversation with Coralie Trotter facilitated by Warren Nebe. This conversation looks at the socio-political influences at the points of intersection between mental health and human rights, and the psychological impact of such human rights violations.
About the Drama for Life Arts in Conversation Series
The World Health Organization (WHO) defines mental health as “a state of well-being in which every individual realizes his or her own potential, can cope with the normal stresses of life, can work productively and fruitfully, and is able to make a contribution to her or his community” (WHO, 2014). This definition of health as “a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity” highlights the intersectional relationship between mental health and human rights (WHO, 2014). It stresses the need to further investigate the connection in the academic sphere, to actively promote national debate around the fact that a serious neglect of mental health is present despite the protective policies and legislative frameworks offered by our constitution and the Mental Health Care Act of 2002.
With at least 141 psychiatric patients dead after being moved from the Life Esidimeni (meaning place of dignity) facility to various NGOs in Gauteng, it is clear that as South Africans we are witnessing a humanitarian crisis brought on by serious human rights violations of vulnerable groups living with psychosocial disabilities. This human tragedy has been called ‘the greatest human rights violation committed by the state since the dawn of our democracy’. In order for the healing processes to take root, deepen and become transformative, our social relationships, systems and structures have to change” (Nebe, 2016: 3-4). Our psychosocial condition is one of dislocation, which regardless of race or class, comes out of a socially constructed reality, based on the betrayal of the human spirit…In order for us to bring about a genuine healing in South Africa, we have to re-think our professions in terms of mental healthcare (Vetten, 2005). Through these conversations “Drama for Life aims to bring down the imagined binary walls that exist between the personal and the political, the psychological and the sociological” (Nebe, 2016: 5). X-ALT-DESC;FMTTYPE=text/html:The psychological impact of the Life Esidimeni human rights violation and the role of expressive arts therapies.

Drama for Life presents the Arts in Conversation Series.


A conversation with Coralie Trotter facilitated by Warren Nebe. This conversation looks at the socio-political influences at the points of intersection between mental health and human rights, and the psychological impact of such human rights violations.


About the Drama for Life Arts in Conversation Series


The World Health Organization (WHO) defines mental health as “a state of well-being in which every individual realizes his or her own potential, can cope with the normal stresses of life, can work productively and fruitfully, and is able to make a contribution to her or his community” (WHO, 2014). This definition of health as “a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity” highlights the intersectional relationship between mental health and human rights (WHO, 2014). It stresses the need to further investigate the connection in the academic sphere, to actively promote national debate around the fact that a serious neglect of mental health is present despite the protective policies and legislative frameworks offered by our constitution and the Mental Health Care Act of 2002.


With at least 141 psychiatric patients dead after being moved from the Life Esidimeni (meaning place of dignity) facility to various NGOs in Gauteng, it is clear that as South Africans we are witnessing a humanitarian crisis brought on by serious human rights violations of vulnerable groups living with psychosocial disabilities. This human tragedy has been called ‘the greatest human rights violation committed by the state since the dawn of our democracy’. In order for the healing processes to take root, deepen and become transformative, our social relationships, systems and structures have to change” (Nebe, 2016: 3-4). Our psychosocial condition is one of dislocation, which regardless of race or class, comes out of a socially constructed reality, based on the betrayal of the human spirit…In order for us to bring about a genuine healing in South Africa, we have to re-think our professions in terms of mental healthcare (Vetten, 2005). Through these conversations “Drama for Life aims to bring down the imagined binary walls that exist between the personal and the political, the psychological and the sociological” (Nebe, 2016: 5).

SUMMARY:Arts in Conversation Series: Arts, mental health and human rights END:VEVENT END:VCALENDAR